The representativeness of performing experience of national wind instruments players


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Abstract

Russian performing art of wind players, being now on the way of its further development, inevitably faces creative challenges and contradictions. An important condition for overcoming certain difficulties is the analysis and understanding of problematic issues of practice and, as a consequence, - development of scientific and theoretical principles. One of these guidelines is developing theoretical approaches in the sphere of synthesis of musicians’ creative experience. Thanks to the creative efforts and rich professional experience of many generations of Russian wind instruments players the art of playing them has solid theoretical basis. Accumulated musical and creative experience and traditions are all necessary information and spiritual sources for further development of the theory of today’s art of playing the wind instrument. The nature of today's interests of national musicians is determined not only by their professional achievements , but their development in the future as well.

About the authors

Maksim Vladimirovich Anisimov

Moscow State University of Culture and Arts

Author for correspondence.
Email: anisklarnet@rambler.ru
postgraduate student of Department of Wind Bands and Ensembles 141406, Russia, Moscow Region, Khimki, Bibliotechnaya Str., 7

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