Samara Journal of ScienceSamara Journal of Science2309-43702782-3016Samara State University of Social Sciences and Education22454Research ArticleThe representativeness of performing experience of national wind instruments playersAnisimovMaksim Vladimirovichpostgraduate student of Department of Wind Bands and Ensemblesanisklarnet@rambler.ruMoscow State University of Culture and Arts2912201434171910032020Copyright © 2014, Anisimov M.V.2014<p>Russian performing art of wind players, being now on the way of its further development, inevitably faces creative challenges and contradictions. An important condition for overcoming certain difficulties is the analysis and understanding of problematic issues of practice and, as a consequence, - development of scientific and theoretical principles. One of these guidelines is developing theoretical approaches in the sphere of synthesis of musicians creative experience. Thanks to the creative efforts and rich professional experience of many generations of Russian wind instruments players the art of playing them has solid theoretical basis. Accumulated musical and creative experience and traditions are all necessary information and spiritual sources for further development of the theory of todays art of playing the wind instrument. The nature of today's interests of national musicians is determined not only by their professional achievements , but their development in the future as well.</p>performance experiencecreativitymusician-the windgeneralizationrepresentativenessdefinitionsисполнительский опыттворчествомузыкант-духовикобобщениерепрезентативностьдефиниция[Попов В.С. Человечески голос фагота. М.: Музыка, 2013. 352 с.][Психолого-педагогический словарь / сост. Е.С. Ранацевич; под. общ. ред. А.П. Астахова. Минск: Современная школа, 2010. 928 с.][Пушечников И.Ф. Искусство игры на гобое: История, теория, методика, педагогика. СПб: Композитор, 2005. 312 с.][Докшицер Т.А. Из записной книжки трубача: Заметки об исполнительском мастерстве музыканта. М.: Радуница, 1995. 108 с]